'Anti-Frequency' imagines a dystopian Britain in the year 2086, diseased by an Orwellian government under extreme dictatorial control. In a digital, post-work society where futility is imposed on everyone from birth, all forms of recreational music and entertainment have been outlawed and criminalised. By 2086, an entire cohort of 40-year-olds have lived without ever hearing a song before. This major shift in daily life has given way to a band of rebels – The Refusers – whose goal is to take back of control of happiness, recreation, and reintroduce the arts of sound and music back into the country. I set out to achieve this goal with an ambitious adaptive re-use strategy within the Lace Market Car Park.